RSS
Facebook
Twitter

Showing posts with label Pittsburgh Civic Light Opera. Show all posts
Showing posts with label Pittsburgh Civic Light Opera. Show all posts

Saturday, August 3, 2013

The Bucs, A Burger, and Buddy

It has been a busy week since our return from vacation, and in many respects, we still haven't recovered from that middle-of-the-night drive from Corolla to Pittsburgh last Saturday, so let's cover some selected short subjects, all beginning with the letter B....

BUCS

It was a wild week for the Pirates, who jumped into first place with an amazing four game winning streak against the Cardinals, and the fact that they have now lost two in a row, one to the Cards and one to the Rockies, in no way  diminishes that accomplishment.  As this is being written, the Pirates have a 1/2 game lead over the Cardinals in the NL Central, and are 21 games over .500.  A long, hard road lies ahead, but the goal now is to win the division.  Finishing with a winning record is all but assured and the odds of securing a wild card spot are almost overwhelmingly in the Pirates' favor, but winning the division, well, that will be a long hard slog right through the end of the season if it is to happen.

I was fortunate enough to be in attendance at the Wednesday night 5-4 win over St. Louis, and it was an amazing atmosphere at PNC Park that night.  I am hoping for many more such evenings between now and September 29.

As for the trade deadline that passed without the team making any moves, I am OK with it.  I would not have wanted to see major pieces of "the future" traded away for marginal players (Alex Rios, Bud Norris) or short term rentals (Raul Ibanez), and, as I mentioned in a post a few weeks back, I believe that Neal Huntington has earned a benefit of the doubt for the time being.  Also, what has been credited as one of NH's best deals over the years was acquiring Derek Lee in 2011, and I believe that that move was made at the August 31 waiver deadline, so I am guessing that some move will be made between now and then to shore up what is a glaring weak spot in the batting order at the 1B and/or RF position.

BURGERS

It has been a while since I have written of my Quest to find the best hamburgers in Pittsburgh, but this week, I found an outstanding burger in a surprising place:


Yep, the hamburger at Manny's BBQ in PNC Park has moved into the Top Five among Pittsburgh Burgers.  First off, the burgers is cooked on a charcoal grill right before your eyes, you can choose your toppings, and it is relatively inexpensive for PNC Park concessions: $8.50, and for an extra buck, you can get a side of cole slaw and baked beans.  Of course, you  have to pay for a ticket to actually get into the ball park, so that does add to the cost.  Still, if you are planning on eating at the game anyway, go for the burger at Manny's.

Current Top Five Burgers in Pittsburgh (listed alphabetically because it is becoming too hard to list them numerically!):

  • Manny's BBQ (PNC Park)
  • McFadden's (North Shore)
  • Rochester Inn (Ross)
  • Tessaro's (Bloomfield)
  • Union Grill (Oakland)
BUDDY

We took in our final CLO show if the season on Thursday at the Benedum, "Buddy - The Buddy Holly Story".  Based on the life of Buddy Holly, this was as much a rock & roll concert as a musical play, and it was really a fun show.  Great energy and musical performances by the actors, particularly by the actor portraying Buddy Holly.

This is actually the second time that we have seen this show, and it is one that I would not hesitate to see a third time as well.  The way the show starkly ends at the Clear Lake concert on "the day the music died" is shocking and most effective, and the encore performance that serves as a curtain call is absolutely fabulous.

In the course of this two and on-half hour show you can really see how Holly's music and Holly himself evolved over the course of his very, very brief career.  It makes you realize that the "what ifs..." and the "could have beens..." that surround the death of Buddy Holly are very real and very sad.

A great, great show. 

Friday, July 12, 2013

CLO Show: "The Little Mermaid"

Last night was a delightful evening at the Pittsburgh Civic Light Opera production of Disney's "The Little Mermaid".

I am going to assume that most of you either are familiar with the Hans Christian Andersen  fairy tale, or have seen the 1989 animated Disney movie, so I won't go over details of the story itself, but rather the production now playing at the Benedum.

How do you simulate an underwater world on stage?

That was the big question and this production pulled it off to the extent that these scenes were every bit as believable as the scenes that took place on dry land.  many of the actors, most notably Ariel, Triton, and Scuttle the Seagull used wires (think Peter Pan) to fly, or in this case, swim while under the sea.  And other actors continually moved their shoulders and bodies, even when standing still, to make themselves look like sea creatures swimming in the water.  Amazing.

As was the case with the movie, the big show-stopping number was "Under the Sea" led by Sebastian the Crab.  Fabulous.

Movies are great, but there is nothing quite like a well done stage production, and this one was eye-popping.  Leave it to Disney to always pull it off.  And the voices of the actors, all of them, were simply amazing.

A great production and well worth seeing.

And with that, I will steal a scene from the Disney movie to make you remember that show-stopper I mentioned earlier.

Monday, December 10, 2012

A Musical Christmas Carol


Yesterday, we took in the Pittsburgh Civic Light Opera's production of "A Musical Christmas Carol" at the Byham Theater.  You all know the story, so I won't recount it here, but I will say that it was a great show.  Pittsburgh's own Tom Atkins as Scrooge was terrific, and it was an added bonus for us to see Billy Hepfinger in one of the key supporting roles.  Billy, a veteran of many North Allegheny productions, is the son of an old co-worker of mine, and we have known him, literally, since he was a baby.  It was special for us to see him in such a big CLO production.

If you need something to really, REALLY put you into the true spirit of Christmas, please try to see this CLO production.  It runs for the next two weekends at the Byham.

God bless us, everyone!

Sunday, July 29, 2012

"Sunset Boulevard", the Musical


You always worry when one of your favorite books/movies/plays is transferred to another art form:  book to movie, play to movie, or, in this case, Classic Movie to Andrew Lloyd Webber Musical Extravaganza.  


The 1950 Billy Wilder movie, "Sunset Boulevard", is by almost any source you care to sight, considered one of the Top Ten movies ever made in America.  It is the story of an aging silent screen movie star, Norma Desmond, who has been pushed to the Hollywood scrap heap with the advent of talking motion pictures, who meets up with down-on-his-luck cynical screenwriter Joe Gillis.  How the two meet, interact, and use each other makes for one of the most compelling movies you'll ever see.  The movie starred Gloria Swanson and the incomparable William Holden, and the thought of someone tampering with such a classic could seem almost sacrilegious.


However, Andrew Lloyd Webber provided the music and brought his story to the London and Broadway stages back in the early 1990's.  The musical was highly acclaimed and even Billy Wilder was pleased with it ("I think it would make a pretty good movie", he said), so seeing it has long been on my bucket list.


Anyway, the Pittsburgh Civic Light Opera brought "Sunset Boulevard" to town this week at the Benedum, and we took it in yesterday.  We both liked it.  The show starred a Broadway actress named Liz Callaway as Norma, and  Matthew Scott (who looks a lot like Pirate Neil Walker) as Joe.  Joe is the character who holds the play together, he is in almost every scene, but it is Norma who draws all the attention, and the numerous dazzling costume changes almost every time she is on stage is just the least of the attraction.  Norma also has the two show stopping musical numbers, "As If We Never Said Good-bye" and "With One Look".


The show is true to the movie, and while there is very little spoken dialog, what there is taken almost directly from the movie, including it's two most famous lines:

  • "I am big.  It's the pictures that got small."
  • "are you ready for my close-up, Mr. DeMille?"
Very good show, well staged by the CLO, and all of the actors.  It made for a great day at the theater.

However, one should never forget the source material, the great 1950 movie by the great Billy Wilder.  If you've never seen it, and you love movies, then make it a point to see it very soon.